Alfonso Romero Mora.
Regisseur.

Born in Madrid, he began his musical studies at an early age, obtaining his title as piano professor. For six years he was director and founder of various choruses with which he worked above all on the barroque and Renaissance repertoire. At the same time, he took specialised courses in baroque organ, harpsichord and choral direction, given by acclaimed teachers of these styles.

Assistant directorin the Teatro Real Madrid since it reopened in 1997, he has collaborated with recognized directors such as J.Carlos Plaza, Francisco Nieva, Hugo de Ana, Sergio Renan, Josep Maria Flotats, Giancarlo del Mónaco, Werner Herzog, Nicolas Jöel, Jerome Savary, Eliah Moshinsky, Willy Decker, John Dew, Pier Luigi Pizzi, Robert Wilson and Herbert Wernicke, as well as the choreographers Nacho Duato, Victor Ullate and Pina Bausch.

Since 2004 he works at the State-Theatre Darmstadt as assistant director under the artistic director John Dew.

As a director he made his debut with a production of “La voix humaine” of Poulenc (2003). In Darmstadt he produced “La serva padrona” of G. B. Pergolessi (2005). Both productions were a big success both with the public and the critics.

He won the 3rd price at the European Competition of Stage Directing in Wiesbaden (2005) with his production of “La Cenerentola” of G. Rossini and was substitute semi finalist at the International Competition of Opera Directing in Granz (2005) with his project of “Le Nozze di Figaro” of W. A. Mozart.